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c. 1445 – May 17, 1510. Italian painter.

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Henry Walton
Portrait of a Woman, possibly Miss Nettlethorpe

ID: 93259

Henry Walton Portrait of a Woman, possibly Miss Nettlethorpe
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Henry Walton Portrait of a Woman, possibly Miss Nettlethorpe


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Henry Walton

British Painter , c 1746-1813 He studied in London under Johan Zoffany c. 1769, after which he completed his training at the Maiden Lane Academy. It was probably Zoffany who introduced Walton to the conversation piece, a genre in which he was to specialize. The Cricket Scene at Harrow School (1771; priv. col., see 1963 exh. cat., no. 1) reveals Walton's debt to Zoffany, but it also shows him to be an exceptional colourist and able to compose his figures with a sense of rare warmth and intimacy. By c. 1778, when he painted the Rev. Charles Tyrrell with his Family   Related Paintings of Henry Walton :. | Entombment | Beatrice Hastings (mk38) | The Virgin of the Immaculate Conception | Morgenstimmung an der Adria mit Fischerbooten und Langustenfischern. Im Vordergrund felsige Kuste. | Haydee Discovers the Body of Don Juan |
Related Artists:
Johann Conrad Seekatz
1719-1768 Rococo,German,German painter. He studied with his brother, Johann Ludwig Seekatz (b 1711), and with Philipp Hieronymus Brinckmann (1709-61) in Mannheim (1748-51); he became court painter to Landgraf Ludwig VIII von Hesse-Darmstadt in Darmstadt in 1753.
Ercole Roberti
1456-1496 Italian Ercole Roberti Gallery Ercole de' Roberti (c. 1451 ?C 1496), also known as Ercole Ferrarese or Ercole da Ferrara, was an Italian artist of the Early Renaissance and the School of Ferrara. He was profiled in Vasari's Le Vite delle pi?? eccellenti pittori, scultori, ed architettori. The son of the doorkeeper at the Este castle, Ercole later held the position of court artist for the Este family in Ferrara. According to Vasari: By 1473, when he was 17, Ercole had left Ferrara and was working in Bologna in the studio of Francesco del Cossa. (According to Vasari, Ercole also apprenticed under Lorenzo Costa in Bologna, but this seems unlikely as he was Lorenzo's senior by seveal years). He is known to have collaborated in the frescoes of Palazzo Schifanoia. Ercole's first mature works are his contributions to the Griffoni Chapel for the San Petronio Basilica in Bologna: a predella depicting the Miracles of St Vincent Ferrer (c.1473) (now in the Pinacoteca of the Vatican), and lateral pilasters for the altarpiece commissioned from del Cossa. In 1480, Ercole created a large altarpiece with a Madonna and Child Enthroned with Saints for Santa Maria in Porto in Ravenna, which is now in the Brera, Milan. Portraits of Giovanni II Bentivoglio and Ginevra Bentivoglio attributed to Ercole de' Roberti (c. 1480) are in the National Gallery of Art, Washington, D.C. Ercole succeeded Cosm?? Tura as court painter to the Este family in Ferrara around 1486. His role apparently went far beyond making art: he accompanied Alfonso d'Este on a papal visit to Rome, served as wardrobe manager for Isabella d'Este's wedding in Mantua, and may even have made salamis. A painting of Portia and Brutus (c. 1486-90), believed to be painted for Eleonora of Aragon, duchess of Ferrara, is in the Kimbell Art Museum, Fort Worth, Texas. Ercole's painting of Saint Jerome in the Wilderness from this period is in the collection of the J. Paul Getty Museum, Los Angeles.
Pieter Cornelis (Piet) Mondriaan
(March 7, 1872?CFebruary 1, 1944) was a Dutch painter. He was an important contributor to the De Stijl art movement and group, which was founded by Theo van Doesburg. He evolved a non-representational form which he termed Neo-Plasticism.






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